Sound deserves
attention.

One oscillator and eight overtones slowly shifting against each other.

Cicade transforms sound into moving lines, shapes and visual structure.

Krill is a quiet additive synth for cold movement. It drifts between pure tone and icy texture with grit waiting under the mod wheel.

A simple polyphonic synth built around warmth and movement.

Square and saw waves with loads of modulation. Deckard says hello.

Turns short recordings or audio files into moving granular clouds of sound.

Eight synthesized voices making rhythm. Just oscillators. No samples.

Real spaces and resonant objects captured as impulse responses.

Uroboro transforms sound in a chromatic playable infinity.

Why sine waves never get boring.

A new work by Jumpel — warm, pulsing and atmospheric, shaped with Toneveld machines and sources.

20 records that changed the language of music.

Eleven film scores that work as autonomous listening experiences — outside the cinema, outside the image.

Recorded with a contact microphone placed directly on the body and frame of a piano. Material that reveals itself when passed through granular or convolution processing.

A rich assortment of different samples, snippets, drones and textures. All were made just by using the Modular Hardware Wall.

Electric guitar riffs and fragments recorded through the DP4+. Feed them into a granular processor and they stop being guitar entirely.

Recordings made inside — rooms with their particular acoustics, objects struck and scraped. The sounds that exist in a space before music enters it.

The piezo hears what your ear doesn't: Mount objects that promise noise. From there, electronics do the rest. A way to make dystopian sounds yourself — like Nordic Noir by Cinematique Instruments.