Audio Machines.

A four-head tape machine with character, warmth and the particular behaviour of tape at its limits. Moth adds movement, drift and saturation — the kind that only exists when a physical medium is involved.

A dark harmonic drone instrument shaped by overtones, drift and slow movement. Toad is built for sustained, evolving textures — the kind of sound that fills a room without announcing itself.

Inspired by the Japanese way of shaping sound in the 80s. Lobster is built to create a focused atmosphere without too many decisions — dual oscillators, Roland BBD chorus, lo-fi filter and tape drift.

A compact drumbox using only oscillators — no samples. Octopus builds a great range of analogue but complex and punchy drum tones across 8 tracks, with swing, BPM-synced delay and factory presets.

Sine waves are never boring. Eel is built around pure sine waves with FM modulation, waveshaper bitcrusher and a 2-pole LP filter — demonstrating how the simplest waveform can become something rich and distinctive.

A convolution reverb built for resonant spaces, strange rooms and organic transformations. Eleven handcrafted presets — from tight chambers to slow shimmer — with a 3-tap delay and VU metering. Also available as a VST3 plugin for Mac.

Load an audio file or connect a live input. Starfish turns sound into floating textures made of granular clouds, small loops, spectral sustain and dry signal — four parallel layers, each with its own character.

Drop a file or connect a live input. Urobouro transforms your audio into a sustained infinite texture — a granular synthesizer that loops and rebuilds sound until it loses its origin and becomes something else entirely.