Audio Machines.
Browser instruments and effects — open any of them directly. No install, no account. Each one has a character. Use them as starting points.
Moth is a tape simulation with 4 heads built around drift, saturation and the interaction of four playheads moving through the same tape.
Real spaces and resonant objects captured as impulse responses, with additional delay and shaping tools for turning them into something less literal.
Load an audio file or connect a live input. Starfish turns sound into floating textures made of granular clouds, small loops, spectral sustain and dry signal — four parallel layers, each with its own character.
Drop a file or connect a live input. Uroboro transforms your audio into a sustained infinite texture — a granular synthesizer that loops and rebuilds sound until it loses its origin and becomes something else entirely.
A dark harmonic drone instrument shaped by overtones, drift and slow movement. Toad is built for sustained, evolving textures — the kind of sound that fills a room without announcing itself.
Whale delivers the wide and endless kind of a sound for infinite landscapes and depth of space. Deckard says hello.
Vibrant and moving. MANTIS is a polyphonic digital synthesizer based on phase shaping and phase modulation: a stable low-end core, a clear tonal contour and moving, optionally inharmonic overtones. From focused basses and leads to slowly evolving textures.
A resonant field in slow motion. Patterns return, currents drift, small changes accumulate.
Lobster combines dual oscillators, BBD-style chorus, a lo-fi filter and tape drift in a deliberately simple architecture. It is built to create a focused atmosphere without too many decisions.
Cicade transforms sound into moving lines, shapes and visual structure — Lissajous, Echo Fields, Landscape, 3D Waveforms and more. Connect a live input or load a file and watch sound become image.