Sound deserves
attention.

One oscillator and eight overtones slowly shifting against each other.

Cicade transforms sound into moving lines, shapes and visual structure.

Krill is a quiet additive synth for cold movement. It drifts between pure tone and icy texture with grit waiting under the mod wheel.

A simple polyphonic synth built around warmth and movement.

Square and saw waves with loads of modulation. Deckard says hello.

Turns short recordings or audio files into moving granular clouds of sound.

Eight synthesized voices making rhythm. Just oscillators. No samples.

A resonant field in slow motion. Patterns return, currents drift, small changes accumulate.

Real spaces and resonant objects captured as impulse responses.

Uroboro transforms sound in a chromatic playable infinity.

Why sine waves never get boring.

A new work by Jumpel — warm, pulsing and atmospheric, shaped with Toneveld machines and sources.

20 records that changed the language of music.

Eleven film scores that work as autonomous listening experiences — outside the cinema, outside the image.

20 intimate recordings of an upright piano captured with a lo-fi contact microphone — felt, wood, mechanics, resonance and plenty of noise.

58 slowly evolving sounds shaped with modular hardware — drones, sustained tones and atmospheric landscapes somewhere between stillness and movement.

38 electric guitar recordings passed through the Ensoniq DP/4+ — chords, fragments, performances and atmospheres, from recognisable guitar to something less obvious.

The piezo hears what your ear doesn't: Mount objects that promise noise. From there, electronics do the rest. A way to make dystopian sounds yourself — like Nordic Noir by Cinematique Instruments.